Articles on literature and film are published here.
Why criticise a piece of art when you can simply enjoy the effect it has on you? Criticism can be tremendously productive, namely when it does not dwell on the classification of cultural products into so-called high or pop culture, when instead, consciously renouncing universal evaluation criteria, one allows every work of art to be a more or less subversive irritation of calcified neuronal networks. Writing reviews is an attempt not to go mental from this self-inflicted irritation, i.e. to follow up the deconstruction of world knowledge with a new reconstruction. Anyone looking for a formula that quantitatively translates the quality of art will, at best, be disappointed here. Star ratings don’t get anyone anywhere. Furthermore the texts published here are not scientific in the strictest sense, but merely suggestions for interpretation. This can also be quite nonsense, but as the great sceptic Sportin‘ Life sang: ’It ain’t necessarily so.’ And as a communist kangaroo from Berlin pointed out, right and wrong are bourgeois categories anyway.

New Posts:
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A magnificent disaster! Lars von Trier’s ‘Melancholia’ (2011)
The word disaster, meaning misfortune or catastrophe, is derived from the French désastre and the Italian disastro and literally means “no-star” or bad omen. Such a star also appears in…
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Criticising colonialism with H. P. Lovecraft?! ‚In the walls of Eryx‛ (1936)
Readers who still enjoy Howard Phillips Lovecraft’s texts in the 21st century (and there are plenty of reasons to do so) cannot avoid critically examining the racism inherent in them.…
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Men to the front! ‛The Long Walk’ (2025) by Francis Lawrence
Shortly after The Life of Chuck, another Stephen King adaptation has now hit the cinemas, but at just the right time. Although King’s novel The Long Walk was published back…
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Anti-speciesism with Becky Chambers‘ ‚The long way to a small angry planet‛ (2014)
This novel sets priorities! If there’s one thing that makes feminist science fiction more interesting than the male-dominated rest, it’s not female protagonists or the depiction of patriarchal violence –…


